Une Estonienne à Paris
2012/ Colour / 94 min / France-Belgium-Estonia
PRODUCTION TEAM
Director: Ilmar Raag
Scriptwriter: Imar Ragg
Producers: Entre Chien et Loup, Le Parti Production, Amrion Ou
Cast: Jeanne Moreau, Laine Magi, Fabrice Colson, Patrick Pineau
Sales: Pyramid International
Director: Ilmar Raag
Scriptwriter: Imar Ragg
Producers: Entre Chien et Loup, Le Parti Production, Amrion Ou
Cast: Jeanne Moreau, Laine Magi, Fabrice Colson, Patrick Pineau
Sales: Pyramid International
Jeanne Moreau, at 84, delivers an astonishing performance in
this film by an Estonian film director Imar Raag. It
is as if her acting talent has now matured to a full blossom. Her portrayal of
the taciturn Frida, an Estonian émigré in her eighties, living alone in Paris,
as well as her equally superb portrayal of a neighbour who comes for a visit in
the film discussed in my preceding post below Cinemania 2012: Gebo and the
Shadow, shows that the true talent never dies but if properly cultivated can
even get much better as the years pass by. There is therefore no need for aging
actors to complain that they cannot get roles to play because of their age. If
they are not chosen for any roles it simply means they lack true talent and/or
the ability to make their acting skills grow as they progress in age.
The film treats with fineness
the issues of the advanced age and the inability to care fully for oneself, and
shows the ensuing tensions, despair, and frustrations. It also portrays the
difficulties of those with the immigrant background, how they choose to cope
with their new lives in a new country, and how they treat and judge each other
within their ethnic community. Old hurts never seems to heal, but the new
relationships are possible. This as is
the case of Frida and her new caregiver Anne (masterfully portrayed by Laine
Magi) who comes from Estonia to take care of Frida, having never been to France
before.
The film shows a triumph of warmth in human relationships that
succeeds to replace the prior coldness and meanness.
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